Between 1999 and 2002, Paris stood at a threshold. The city, still marked by the remnants of the twentieth century, was gently sliding toward a new millennium. It was within this fragile and luminous in‑between that the photographer Cedr’ (pronounced cedar) walked through the streets, the quays, the gardens and the cafés, camera over his shoulder, with the patience of Eugène Atget and the intuition of those who know that the present will one day become an archive.

Romano Zanotti, an essential figure of European kinetic art. His work is part of the kinetic art movement, heir to futurism and geometric abstraction, which explores visual phenomena, the perception of movement and the optical effects of colour.

Kinetic art experienced a major expansion during the 1960s, extending the research initiated by Futurism and geometric abstraction.

Isabelle Carabantes’s Bull’s Head asserts itself first through its frontal presence. The volume rises from the base like a block of contained force: broad when seen head‑on, compact, leaning forward. The young bull is not depicted in the charge, but in that suspended moment when the animal stands at the threshold of its own power. The horns open in an arc, without excessive

Isabelle Carabantes: Instituting the Living, Reinventing Contemporary Animal Sculpture.

Igor Mitoraj is a world‑renowned Franco‑Polish artist. Born in 1944, he died in 2014 in Paris. A resolutely postmodern artist, he seeks in ancient statuary a balance of forms that transcends the centuries.

Michel Cadoret de l'Epineguen was an important representative of French painting in the 50s and 60s, in his time he was distinguished by art critics and was a friend of Alexander Calder. He spent much of his life in Mexico and the United States, so much so that he was called the most American of French painters by the art critic Pierre Courthion.

AN Jian-Chung is a Taiwanese artist, graduate of national art schools in Taiwan and France, former student of the Chinese painting masters LI CHI-MAO and SU FENG NAN. He combines in his work, with Indian ink or watercolor, the traditional expression of Chinese painting with contributions of Western abstraction to propose works of meditation.

César Baldaccini, known as "César" is a French sculptor born in Marseille in 1921 and died in Paris in 1998. He is classified in the movement of the "new realism" resulting in 1960 from a declaration of a group of artists among whom Tinguely, Arman, Niki de Saint Phalle, Mimo Rottela, César and which was defined by the historian of art Pierre Restany.